From time to time I enjoy departing from weaving scarves and tops in order to do "one of a kind pieces". When I weave a garment many times there is left over warp so I continue to weave cloth that can be used for something else at another time. These pieces of handwoven cloth go into my extra fabric stash. When I am ready I pull them out and make something with them. Sometimes it's a handwoven embellished purse, sometimes it becomes the embellishment on something, and other times it becomes a shrug.
A shrug for those of you who do not know is a shawl type garment that has a very small sleeve seam so that when worn if it falls off your shoulder the sleeves will keep it from leaving the body completely.
I just finished working on one of these. They are time consuming as I am designing the embellishments as I go. I am hunting through my stash of interesting fabric, trims, beads, buttons, etc. in hopes of finding just the right items to use.
This time I looked into my stash of samples from a complex cloth class I took which was taught by Jane Dunnewold (the complex cloth guru!). These samples are only about 10" x 12"and are dyed, over dyed, discharged, screen printed, stamped, and painted. Multiple techniques are used to make the cloth design. Since I have documented all the processes used for each sample, I am free to use them , soooooooooooooooooooooooooooo, I decided to cut them on the bias and use them for trim and binding.
Here are a few pictures of the process. It goes like this:
These are my complimentary complex cloth samples. One has been dyed, over dyed, discharged, stenciled, stamped and printed. The other has only been dyed and over dyed.
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Bias trim is cut from both cloths.
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I organize the fabrics. Here are 3 complex cloth fabrics and 2 handwoven fabrics. All will be sewn together. I love this color combination!
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The bias trim is applied to the handwoven fabric. The other complimentary fabric is used as piping.
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Seams are covered for a couture finish.